The Godzilla Series Japanese Film U.S. Non-Theatrical Releases

In the prior blog entry, I worked to document the titles, credits and logos affixed to the theatrical releases of the Godzilla series.  Not all those films were given a wide theatrical release and as the blog entry covering theatrical releases was rather long, I decided to talk about the films which did not have theatrical releases in this entry.

The Godzilla Series Japanese Film U.S. Theatrical Releases

Godzilla was first introduced to the wider world through the medium of the cinema.  Western theater audiences were exposed to Godzilla and other Japanese sci-fi films on a fairly regular basis during the 1950s, 1960s and 1970s. Godzilla's theatrical releases have garnered particular attention, the series is still going after almost seventy years.  A theatrical release of a foreign film in the US is a particular mark of distinction and prestige, and many people believe it is important to try and preserve these films as close to the way they were exhibited as possible.  The Godzilla franchise is one of the most successful in history but during its films theatrical runs would the greatest number of people see the film at one time.  

Some of Godzilla's theatrical releases are well-known and readily available, but most have fallen into obscurity.  Even in the VHS era when theatrical releases were more available, there was usually something missing or altered such as credits and title screens.  In this blog article I will identify what you would have seen in terms of credits and titles if you saw these films in a US theater during their wide release theatrical runs.  

Reconstructing a "Lost" Version of The Phantom of the Opera in HD

I sometimes like to think of fan-based restorations of classic films, whether they are of a Godzilla film, a Walt Disney classic short or Star Wars, as the culmination of film restoration.  The Internet and broadband has fueled talented creators to take films from whatever sources they can find and make something even better than the studios which made or have rights to these films did or could.  I have talked about this subject before and in the recent past I have done a few minor projects myself.  Unfortunately due to the nature of the films such projects often cannot be shared publicly.  My most recent project is safe enough to share and touches upon a subject I have discussed in the past, the 1925 version of The Phantom of the Opera.  Specifically my goal was recreate the first version of Phantom I ever saw, the Killiam Film Classic release.  Sit back and let's go over why this release was significant, how it entered my notice and how I restored it to what I hope will be seen as its "proper glory."

Nonsense and Other Observations about Dracula/Horror of Dracula

As much as I love Dracula (1958)/Horror of Dracula, I find it has a lot of plot holes, ideas that don't make a lot of sense and other weirdness.  I started to write down certain observations as I was watching the film and eventually they became so long that I thought them worth putting them up in a blog post.  These observations as I have put them to type have been as timestamped to the times (roughly) in the film to which they most apply.  I am using the 2012 Hammer Restoration found on the 2013 Region B/2 Blu-ray/DVD from Lionsgate with altered color timing by a fan (which eliminates the overly-blue tint found on that disc).  Any DVD or Blu-ray release should be able to follow along without too much difficulty.